Sitting around poems

When Alexander the Great was in his twenties, he wanted to conquer Asia. I just wanted to write really good sentences and paragraphs. We’re all odd in our own way. Some oddness make us richer than others, hence Alexander’s palaces. Anyway, If EVERYTHING I DON’T KNOW I LEARNED IN TEGUCIGALPA, the poem I posted two days ago, is what I call a “sitting around” poem, here are four more:


Morning in San Fernando

Wind blew hard through the night.
Every stone in the plaza floor makes
a shadow in this low light. Rosalie
saw an orange bird in an orange tree.
I dreamed I saw yellow flickers between
leaf shadows falling across this table.
A young woman walks past, one
shoulder bare to the morning air.
The wind mixed me up. The jazz CD
skips, the coffee’s cold, the toast is
wood. In my dream I kept falling
and falling. She looks as if she’s thinks
she’s alone, or still asleep. A sparrow
is hopping on the table next to mine.
I was falling into my own head, scared
and waiting to crash. Behind her is a man
with a beard carrying a flute in a case
or maybe it’s a piccolo. (What do I
know?) She’s touching, touching,
touching her hair. In the morning
everybody has plans. Orange awning,
white plaster building, blue columns.
Hers are to slip through a chink in the wall,
climb a dozen stone steps, turn left into
an alley so narrow they carved the walls
round to let burrows pass. The man
with the beard blinks when he sees
the girl, or maybe he’s seeing someone
else. Mine are to meet a man I’ve never
met at the fountain behind me eight hours
from now. A line of brown wooden doors
opens neatly into the plaza. Everything
decent and good is what it is for no other
reason than that. Sleep ended early. Even
banal plans have room for adventure.
The man I’m supposed to meet
is a writer. He’s a gringo, he told me
on the phone. He has gray hair, mostly,
and glasses. They finally turned off
the skipping jazz and the silence
sounds familiar. There is no end
to the fall or the dream. Maybe the man
I’m supposed to meet is me.

————————————————————————–

Bust out

Ever want to tilt your head,
see under buildings or through
walls and girls’ clothes because
you know something’s there
but you’re not seeing it?

You sit in the shadow of the church
your head heavy and heart lazy
and your belly too big for proper
vistas. You haven’t seen color
in weeks until a man steps across

the street holding a tray piled
with pink and yellow food glowing
in a spot of sun and moved
to action, a pursuit of truth, you sprint
across the park and superman

off a stone wall, dive and fall
belly first to land on the tray
on top of the man, who crashes
on the sidewalk and all the pretty
food is smashed. You’re a little

hurt and the man is bleeding
from his lip, moaning and messy
and everyone’s shouting. Hands
lift and toss you back so your head

flops and bumps the wall
hard and the sky is terribly blue.
A magpie perched on a wire
winks. What does the world
look like now?

————————————————————————-

I sit above the city

on seventy-six white
stone steps and high above
a gust catches a hummingbird
between the towers, tosses
it backward across the sky
past the statue of the boy
who charged the fort, a flat
rock on his back to stop
arrows, a torch to burn
the gates, break the siege
and chase away the Spanish.

I’ve been awake since
early. A moment ago
I watched my wife walk
far below in a cobbled
ally with her green bag
to buy a chicken for dinner.
Not the one I heard
a moment ago when I closed
my eyes to better hear
but a cold, plucked bird
from the meat store.

Across the stairs wider
than any stairs—higher
than any stairs—I’ve ever
seen or sat on, a pigeon
perches on a steeple column
in the shade of the towers.
Behind it, blue sky and sunlight
make the cathedral glow gold.
The bells ring and ring,
and later, they ring again.
Who knows why?

Closer, I watch an ant
zigzag down the stone
wall next to me. It
turns here and there
and back again, head
down and down until
it arrives safely at the top
of the seventy-six steps
where I sit. When I was a boy,
I was fascinated by how ants
walked on walls without
falling and boys became
heroes. I still am.

—————————————————————————–

Bushes Cut to Look Like Seuss Trees

Bushes cut to look like Seuss trees
the puddle sky orange and children leaping
for strings of pretty flags make him think
the past is a cartoon, the future a clean
well-lighted room with nobody in it.

A puff of breath in the cold, sex but no lover
or the other way around, a box with wind in it.
What flowers grow? Same as behind the fountain.
Yellow, pink, white, red and blood red,
the color he loves most.

None of this is happening—or more
than he can conceive. Maybe he’s still asleep.
A woman lifts her baby’s face and kisses
whispers. The child closes his eyes, drools.
She wipes its chin with a blanket. He spent

the early morning very happy in his sleep
and woke to a woman sliding into bed
felt ready on her skin but
rolled off to wash and when he returned he tried
and she tried but he couldn’t.

She held him anyway and he felt grace.
Awake only fifteen minutes and so much
had happened.
What would the rest
of the day bring? Another invention

a stroll through a fissure in the wall, a tilt
of his mind toward death, a bite to eat
he hoped, and now this woman, her baby
the Seuss bushes, flowers, children leaping
for strings of flags in sunlight.

Mill Creek Poems

Here are three poems that came from notes I wrote while at my friend’s place along Mill Creek in Paradise Valley, Montana.

At Mill Creek Last May

Shot the head off a pigeon and felt terrible about it.
Went to buy whiskey.
Drank red wine and ate.
Drank whiskey and read.
Smoked a cigar.
Answered some emails.
Got two rejections from editors.
Listened to the water.
Wondered stuff about who I am.
Women with their bodies, they need to take great care.
Rolled with the dog on the front lawn.
Ate yogurt and drank coffee on the foot bridge.
Full moon and the race runs deep.
Meadow lights up like her eyes.
High clouds don’t move.
Water again, still more, lucky more.
Gravel’s yellow under headlights.
I converse with a great-horned owl.
When I stop, he keeps speaking.


Mortality
or Another Dog Sonnet

Watching the dog made alert
by groundhogs, I’ve forgotten
I am lost between trees and water
and sky. He’s lying by the log

where they hide
distracted by falling cotton,
by the chime of wind
the applause of rushing water

scattered ravens on the grass
and a hundred bits of scent
swirling past in air
he lifts his nose to breathe.

He gets up and lopes back to me.
He doesn’t know he’s beautiful.

———————————————————————–

Sometimes Sonnet

Sometimes the water in the race
turns to blood, all the blood
in all the people who ever lived
in this valley.

The breeze blowing
the leaves of the cottonwood
and box elder is the breath
of everybody who has ever breathed,

and the leaves dancing all the dancers
who have ever danced and the birds
singing are all the singers singing
all the songs ever sung.

I particularly feel this now
as I write this poem.

Poems as a visit from the dead

When my dad was a boy, he told us he used to visit his aunt Winnifred in Brooklyn. Winnifred had been married numerous times but she wasn’t married then. She was living with a retired merchant marine with a round belly and a lot of tattoos named Uncle Henry. Winnifred used to require that my dad, around age 8, 9, or 10, and Uncle Henry sit with her around a table in the dark kitchen while she called out to the dead. She wouldn’t allow Uncle Henry to speak because he wasn’t a believer, and she wouldn’t allow my dad to speak because his voice hadn’t changed yet. These were her rules. My dad died in August 2011, and his visits to me have been in poems.

How many

have died
in pits
in caves
under fire
or snow
or like
my dad
in bed
gasping
at dawn?

All of them.

I’ll die
like them—
another
who loved
the light
and watched
the dark
who woke
today
to a voice
he loved.

I’m helpless
despite
everything
I’ve read.

———————————————————————————————————

Haikus of Travel

In the Missoula airport when I was going to Honduras last January with a Missoula Medical Aid team, a young volunteer on the trip told me that he was going to write a haiku every day of the trip. I had not written a poem in years and thought what the hell, if he’s going to do that, I will too. It made me a little crazy, I think. I spent the entire trip counting syllables in both Spanish and English. I did this as I talked, as I read, as I slept, probably. I know writers of modern haiku don’t count syllables–or I have since learned that. But I counted, and counting made me crazy and crazy might have made some of the poems.

Haikus of Travel

Look at that sky and us
looking at it! Aren’t we
something? Our good taste
the things we buy, the places
we stay? The people
are poor and happy. It seems
our being here is good — we make
jobs to serve us and keep
the world free for goods
and money and us — not them
unfortunately — to cross
the border. We believe —
especially for those poorer
than us — in gratitude.
We want more — we
can’t help it! — so we
can fly away sit
by the sea and see
ourselves sitting, dining
or surfing in faraway
places, and for awhile
be grateful ourselves
that we’ve keep the world free –
am I repeating myself – for us
to travel. Not them,
their families are here
or should be
and it’s against the law.
Some are grateful but we’d
be glad if more were —
for maquilas and our gifts
to the clinic, for the web
and how much of their
stuff we buy. We like it here.
Our money makes the show
go on. What did they do
before we came? What
must this place have looked
like? Just imagine.
The world is changing fast. If
nothing changes here
we might come back
again next year.

————————————————————————

What we do well when things go wrong

Well, we kill easy
as lice bite, lovers fight, pigs
squeal, drunks shout and stand

on wagons with swords
and die defiant, when things
go wrong. When things go

wrong, bullocks long drool
wets the earth and new folks come
and burn the grain, steal

the bride, shoot the groom.
Sad. So’s the music.
We do that well too.

————————————————————————

Insomnia

Popping the first take
footfalls blue to wall sigh night.
No such thing as dawn.


Republicans on TV

They burped grumpy burps.
They had made a great fortune.
Everybody clapped.

Squirrel Blues

In the fall it all
turns flat, the oaks gray bare, I
eat nuts, wait for change.

On the DC Mall

Ghosts hide under dried
swamp, watch us walk, wonder where
malaria went.

In the National Gallery by the Degas Wax Dancers

All the pretty girls
are dead but the ones walking
past. I look at them.

————————————————————————

Dear Joanna Poems

Instead of writing a blog introducing my new novel, Ben Armstrong’s Strange Trip Home, I’ve decided to use this space for some poems. Here are a couple in the form of notes to a friend, the poet Joanna Klink, whom I was hoping to amuse. She claims she was. She’s a kind person.

Dear Joanna,

I stopped by your office this afternoon but you weren’t there.
I was disappointed, as I have the start of a poem that I wanted to run by you.
The start was this:
A dog.

I think it’s a pretty good start but I admit, I’m stumped.
I’ve been stuck on it for a long time.
Sometimes I think it should be:
A cat.

No, I think, A dog is better, maybe.
But what should the next word be?
It seems really really important.
Or could be.

–David

And this, a few weeks later….

Dear Joanna,

To follow up
regarding my poem:

I think a dog
is better
or at least mine
is happier

to see me than my cat
would be
if I had a cat
which I don’t.

But here’s the rub
or scratch, really:
One time
(when I was a boy

and my cat was in my bed)
in bright moonlight,
I could see her tiny
nostrils flare and waves

move down her fur body
until she dug
her claws into my bare leg
and squeezed out the first

of four kittens
before the sun came up.
A kitten factory,
Grandma said,

when she woke us
a few hours later,
Put mice in one end,
kittens come out the other.

–David