Think of Quixote

Think of Quixote riding
his nag he imagines
a steed, toward a windmill
he imagines a monster
his joyful and beautiful
truth at that moment before
he hits.

Then think of him after
broken and bruised
on the ground
blinking through his bent
cardboard visor
dazed, the sun in his eyes
as Sancho says, See?

This is where we are now.
We can squint and see
a windmill, and ourselves
old crooked men
and we can lay our heads
down in the agony of the dry
dust before us or we can see
what he sees, a windmill
and our own aching bodies
that just a moment ago soared
(across the plains under an unending
arch of sky)
as proof of the changeling child
the enchanting power of monsters
and the truth of our own
dear dream.

————————————————————————————————

Right Madness

The sunshine on the hill
piled with pretty rock houses
built on bones under a sky
so blue it kills, or at least holds
mute over suffering, is why I like
the woman’s smeared red lipstick
twisted face and walking talk
as she scurries sideways under sculpted
trees, past tables of happy diners
like me.

I Don’t Need Her

Hey, I don’t need her
except to look
at the way her mouth
moves around words
or at her hair and the shadow
of her shape
the way her skin
covers her and her
waist connects
her to her
and how she sits
right here like the first
woman on earth
and her fingers
touch things
and her legs go all the way
down to her feet
on the floor
that sort of thing
the floor that holds me up.

Hey, I don’t need her
but the air
when she’s in it
is possible to breathe
and I have a hunch
if she left me
water would dry
lights dim, the door close
that kind of thing
and I’d be a man
underground
for a long time
breathing through a tube.

Hey, I don’t need her
I could do it
wait like that, buried alive
not the first
dreaming of her face
so close to mine her breath
would steam my skin
that sort of thing
if I had to
for an eternity
for another chance

—————————————————————————————

Solitude

Now it’s only you
and your idea
of time alone
but time moves
slowly and sometimes
you shiver with it
or it heats your head
until your brain boils
and your idea
has disappeared
behind the chair
no one’s there
through the door
and whatever hope
you might have had
fled with the night
and the moon
that lit the table
where she kept her things
by the bed
empty of all but shadow
your breath
the sound of dogs
while you wait to see
what happens next.

——————————————————————————-

Ivan Karamazov

How do we measure
if we’ve killed the pig
well? One,
two, fifty?
The form is the leg,
steeple, song,
street or novel.
Ivan Karamazov
I’m familiar with your suffering.
When it’s quiet, pigeons
coo and dogs
bark, bells
ring above
the schoolyard gate.
Under my feet,
rock and concrete,
silver mines
and men. Once
I dropped a pebble
down a well, tilted
my ear toward the dark
to wait. What’s happened
since has been
not nearly so important.

Gratitude, and more and more

Gratitude

On my way
into a great city
I thought of the uncountable people
who lived there and wondered
if there was room enough
for me there too.

Nobody knew
I was coming.
How could they have ordered
the right amount of fruit?
Would they run
the endless streets
to find a pear
for the new guy?

When I got there
and nobody stopped me
said sorry, we’re full

—and there was space for me

to walk on the sidewalk, a room
a bed, a chair
I didn’t have to share

—and I asked for an extra blanket
and they had one,

I couldn’t believe my luck.

————————————————————————————–

What people I know
have done this week
in Mexico

Paint tree trunks white,
cut stones for street cobbles,
boil beans, shoot
pigs and hang the legs,

paint pictures of sad
naked women, dream
of snow, spar
in the park and lie

on the grass, pour
lines of chalk
to keep cockroaches out,
kiss lovers, weld axles,

play Bach on the cello,
remember the war,
kill rivals in a play,
bury them, sing,

fix the leak, weep,
pay off gangsters,
play soccer,
get drunk,

dance in the dark
with flashlights,
hang flags,
bang drums,

toss bombs,
ring bells, parade
for the Virgin,
and fix the leak again.

It’s enough to make me want to do
something like that too.

——————————————————————————–

Regarding
my introduction
to the faculty

Thank you very much for the kind introduction but
you unfortunately neglected to mention to the
committee my rows of sharp regenerating
teeth, my fondness for blood and how
fast I can swim, nor did you remind
my esteemed colleagues that my
most celebrated trait is
the size and shape
of my
lovely
dorsal fin
of which so
much has been
previously written
sail-like, sharp and blue
you might say I’m humbled by
the bounty of attention it’s received
from a cross-cultural community, and
of course all the various awards I’ve been
understandably reluctant to list here but you’ll
find included as background in the attached C.V.

——————————————————————————–

Note to Jeff

The bells are ringing here.
When Americans come they always try
to figure out what they mean
what o’clock it is
what is being celebrated.
They’re just bells, I say.
They sound pretty.

———————————————————————————

How Poets Survive

There’s no business
model that I know.

Who would pay
for free verse or rhyme?

Out of silent air we shape sound
that nobody can understand

except those who happen
to speak our language

and many of those don’t either.
Trying to touch beauty,

we usually fail,
so we better be amusing

or hope people think we would be,
if only they were smarter.

That way we get a bite to eat
and a bed to sleep

and the esteem we’re convinced
we sometimes deserve.

——————————————————————–

One word poem

When your mom said spider
you slid down the tree
and stared up at the branches and leaves
and the sky and the world
changed forever
by what you could neither see
nor forget.

————————————————————————

Keats and you and me

In Dolores Hidalgo, they make pots
glazed with lots of blues and yellows
and upside down hearts with thick-
stemmed plants growing uncomfortably
inside them. No maidens here, the pots
themselves, also shaped like women,
overflow with living flowers. What struggle
to escape! What wild ecstasy!
He died
young and my blood burns. The peaks glow
at dusk as they always have. We coast
old shadows and hold hands around
curves crowded with the beautiful
dead. Nothing eternal but the road home.